Lesson T1.1.3
T1.1.3 Fluency, accuracy and expression in performance Quiz: KS3 Music, Unit 1
20 questions
In partnership with Revision Ninja
Lesson T1.1.3, Fluency, accuracy and expression in performance: 20 multiple choice questions for the KS3 Music (National Curriculum), Unit 1: Performing, written with Revision Ninja.
Host it live on the board and students join with a game code on their own devices, or revise alone with Free Play. The answers are revealed in the game.
The 20 questions
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What is fluency in performance?
- Playing every note at the exact written volume
- Smooth, confident playing with no interruptions
- Performing from memory without looking at any notes
- Reading the notation without making any sound
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What does intonation mean in a performance?
- How closely each note matches the intended pitch
- How evenly the instrument's volume changes across a phrase
- How clearly the lyrics of a song can be understood
- How quickly a performer can move between two registers
-
Which marking tells a performer to play gradually louder?
- Ritardando
- Crescendo
- Diminuendo
- Staccato
-
What does the term rallentando mean?
- Gradually speeding up
- Getting gradually louder
- Gradually slowing down
- Playing very quietly
-
What does legato mean?
- Played smoothly, notes joined together
- Played by two performers at the same time
- Played very loudly with strong accents
- Played in short, detached, separated notes
-
What does staccato mean?
- Played quietly with a soft tone
- Played smoothly with notes joined together
- Played in short, detached notes
- Played gradually slower to the end
-
What does pianissimo mean?
- Very loudly
- Very quietly
- At a fast speed
- Moderately loud
-
Which term describes a pause on a note, held for longer than its written value?
- Fermata
- Coda
- Segno
- Tie
-
A cellist plays a passage with all the right notes, but the audience feels nothing. Which element is most missing?
- Time signature
- Key signature
- Pitch range
- Expression
-
A pianist plays a piece with very even loudness and no pauses. Which two improvements would most improve expression?
- Add more pedal and play every note staccato
- Remove all rests and play through each bar without a break
- Add dynamic contrast and use rubato to shape phrases
- Play faster and louder from start to finish
-
A recorder student has to stop and restart a passage three times. Which skill needs most work?
- Harmony
- Articulation
- Fluency
- Dynamics
-
A singer sings a phrase consistently sharp. Which aspect is affected?
- Intonation
- Articulation
- Dynamic range
- Tempo
-
A performer is asked to play espressivo. What should they do?
- Play with no expression, strictly as written
- Play with the lowest possible volume
- Play as fast as the instrument can manage
- Play with feeling and expression
-
A guitarist plays a riff at a steady tempo but starts each phrase at a different loudness. What does this show?
- The pitch is too high
- The rhythm is too slow
- Dynamics need work
- The guitar needs retuning
-
Which practice most improves accuracy in a difficult passage?
- Playing only the easiest passages until the performance
- Playing it slowly, fixing each note before speeding up
- Playing the whole piece once at full speed to get used to it
- Playing with the volume turned up to hear wrong notes
-
Why might a performer record themselves when preparing a solo?
- To change the key of the piece to suit their voice
- To make the piece shorter for the performance
- To avoid needing to practise in front of anyone
- To judge the playing objectively and spot faults
-
Which pair of markings best describes a sudden loud accent followed by quiet playing?
- Accelerando followed by ritardando
- Legato followed by staccato
- Pianissimo followed by forte
- Sforzando followed by piano
-
Why must a performer balance fluency with accuracy?
- Only accuracy matters, because fluency is just a speed setting
- Both matter: smooth flow and correct notes
- Fluency matters only for singers and accuracy only for instruments
- Both can be ignored once the piece is memorised
-
A passage is marked mf with a crescendo to f. What should the performer do?
- Start moderately loud and gradually get louder
- Start loud and get quieter until the final bar
- Play at a steady medium volume throughout the passage
- Start very quietly and stay soft until the end
-
Which of these is an example of expressive use of tempo?
- Slowing down at the end of a phrase to give it a sense of closure
- Playing the whole piece at exactly the same speed regardless of phrasing
- Setting a metronome to a new speed for each bar
- Playing the whole piece at a speed set by the loudest instrument
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